A new set of 2 DVD’s is on the market. Joe McNally explain in several shoots how to light you subject.On location, in the studio, setups and much more. Cost 118€ without transport. http://www.joemcnally.com/blog/2011/01/30/introducing-the-language-of-light/
A new book by Scott Kelby.In 12 chapters he explains the basicworkflow: the photoshoot, the lighting and the postproduction. Not only he uses studio flash but also speedlights to shoot the same scenes.Every thing is in plain simple English with a lot of lightdiagrams and pictures.I bought it in FNAC
This picture was taken by Herman Huys. It is one of a series of meat in bondage. Camera: Pase ONE P25 digital back and 80mm Schneider lens with extra ring for macro shot, set on a tripod. Shot at 1 / 125 f22 ISO100. Light: The main light is composed of two soft boxes, placed directly above the subject. This provides uniform illumination, like a ringflash. The sausages are on a plexiplate above 2 open reflectors, that create sthe white background. By a proper ratio of the light from the background and the subject, the
This portrait taken in 2003 for the cover of American Photograph magazine pays tribute to Jean-Auguste Ingres’ famous 19th-century painting La Grande Adalisque. Michael was originally supposed to shoot Julianne in a couture dress, but was so inspired by her flawless skin, he switched directions. This is lit with one